Some of my favorite art pieces are those that show emotion, that have an energy to them. True, most beloved pieces have an energy all their own, even if it’s subtle. But there are some pieces where that energy is something more evocative.
I’ve seen many of Giovanni Boldini’s paintings over the years, often of the women that he painted. He seemed to work in portraiture quite often, and I came across a painting of his that seemed different than his others.
Here’s Boldini’s Newspaperman in Paris (a.k.a., The Newspaper; 1878, oil on panel, 18.5 in.… Read the rest
Acrylic on canvas panel, 8″ x 10″.… Read the rest
Being an artist, to me anyway, involves taking chances. Though I value consistency, there’s something to be said for experimentation.
Experimenting with techniques and styles gives me a chance to explore areas I haven’t tried before, and really challenge the concepts of art. Not just in how I make things look, but the difference in procedures as well. To tread on unfamiliar ground, and attempt to survive it, is how I grow as an artist (and a person).
Case in point, my new piece below. I wanted to give a gift to the clients that commissioned me for my large acrylic painting, Selene at Bonifacio (see it here), and I thought a small painting of a similar idea would be a good.… Read the rest
I don’t get to art museums and galleries enough, but it can really give you a different impression of a piece of art. In this case, last week I was at the Phoenix Art Museum and saw the piece here, Pollice Verso (Thumbs Down) by Jean Leon Gerome (oil, 1872, 38″ x 59″).
First off, I do like the piece overall. I think it has a good use of color, a very nice balance in composition and a good use of the light and dark shades to create a good contrast. … Read the rest