I like to customize my Moleskine sketchbooks before I start using them, and sometimes that can be quite an elaborate process.
Partly, I customize them so that they are easier to recognize and find if lost. Instead of just looking for a generic, small sketchbook, I can tell people to look for something more unique. By customizing it inside and out, it’s easier to spot, and frankly harder to get away with stealing.
Mostly, though, I just like that, through customization, it truly becomes mine. I think if I have already given it love, already spent a good time with it, that when I sit down to create art with it I’m more comfortable.… Read the rest
I’ll be attending the World Horror Convention in Austin, Texas this week, and I’m hoping to meet a lot of people there. I have a number of friends that will be there, along with quite a few I talk with online who will be nice to meet in person.
If you decide that you’d like to see what a poor, unemployed, REAL starving artist looks like, here are a few places you might just find me. First, the “official” list:
- Artists Are People Too! panel
4:00 PM Friday, April 29 – Phoenix Central
Scott Edelman, Russell Dickerson (M), Vincent Chong, Steve Niles, GAK
Thanks to the Internet, a right-click of the mouse lets anyone copy an artist’s work right off the Web.
… Read the rest
Some time ago, I discussed the genesis of the cover art that I created for Maelstrom’s edition of author Brian Keene’s A Gathering of Crows (check it out here!). For that article, I talked about the content of the art, what it meant for the book, and in general the idea behind what’s going on in the image.
But I didn’t really talk about the design part of it.
Now, I know what you might say. Russ, you’re an artist, not a designer. But the truth is I’ve been a graphic designer for just as long as I’ve been an artist.… Read the rest