The night is darkest just before the dawn. And I promise you, the dawn is coming.

That quote, for those of you who don’t watch movies, is from the film The Dark Knight. Until now, I just thought it was an interesting statement, but the fact is that I’ve lived like that. Also, until now, there was really no dawn to speak of.

But, as these usually do go, a subtle light has entered my world again. It’s just a small ray of light, actually, but in the severe darkness I’ve been through it becomes a shining beacon. A ray of hope, if you will.

This week, for the first time in sixteen months, I’ll be heading off to a day job.… Read the rest

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New Ink Art: Yig, Father of Serpents

In getting ready for my Spectrum booth this coming May (check out the event here), I’ve been working out which pieces of art to bring with me. One of the ideas that came up, which I’ve had before, is to combine three of my smaller inks into one framed set.

I had two previous H.P Lovecraft oriented pieces, The Deep Ones and Cthulhucraft, so I decided a third one would work out great. After some research, I settled on Lovecraft’s snake god, Yig, first mentioned in his story, The Curse of Yig.… Read the rest

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New Painting: Darkness on the Path

I’ve been trying lately to get on a schedule of having regular, smaller works completed. The last month has proven instead to confound that plan, but I’m still hoping to get that worked out.

Case in point, my new painting for today. It’s meant to be a smaller, less involved painting, and for the overall series I think it will fit right in. The idea behind the smaller works is to do less complex ideas, versus the detail that I add on the larger pieces and digital works.

This idea came about mostly because of the dark figure in the center of the painting.… Read the rest

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Crossroads come to all

I think where art can be a good thing is the ability to get the feelings and emotions out on the table, without necessarily having to explain all the things you are really feeling.  I’ve always felt that art comes down more to what I want something to look like than any emotional release for myself.  But once in awhile I get into a mood where the only way to express the feelings is through art.

This piece here is a good example of that.  I won’t go into whatever it is that’s bothering me, you folks aren’t interested in such drivel. … Read the rest

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The Crossroads

Wrapped Masque

Sometimes you reach a point in life where the proverbial crossroads happen, and I think I’ve reached that point.  There is a definite feeling of where I’ve been, and now where I choose to go.  The paths are unclear, but there are definite choices coming.

Art.  No art.  Design. No design.  Keeping the status quo or wrecking it.  The fork in the road has been reached, and now I have some decisions to make about how life is going, and where and what I want to be doing when I type this same blog next year.… Read the rest

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Russ’s Art Blog: War on the Tiger


This week we’re back to a piece of art, in this case Franklin Booth’s War on the Tiger (ink, 1908). I’m a huge fan of ink and engraved works, and Booth was a master of the pen.  He is one of the most influential ink artists ever, and his techniques and styles can easily be seen among the best of today’s pen and ink artists.

I happened upon a book about Booth last week, called Franklin Booth: Painter with a Pen, and I think that’s a perfect way to describe his work. … Read the rest

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Russ’s Art Blog: Artist Michael Deas

As I mentioned last week, I’m hoping to change things up a little with the art blogs, and offer more than just a “piece of the week”.  I’ll be featuring artists sometimes that you may be familiar with, if not in name than in work.

This week, I’m going to talk about Michael Deas (www.michaeldeas.com), an artist who has done some fantastic work.  Many of those in the horror community have seen his cover of Richard Matheson’s Hell House, or of one of the editions of Anne Rice’s Interview with the Vampire.… Read the rest

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This Week’s Art: Sin

 

 

This is Franz Von Stuck’s Sin (1893, Oil on canvas, 35″ x 21″), which may get my vote for having perhaps the most accurate title of an art piece I’ve seen.

I like the color choices and palette here that Von Stuck used, or rather a lack thereof.  He keeps the colors simple, nearly a duotone.  What he does use for color throughout, due to it’s similarity, is a feeling of almost looking at the woman’s skin even when you’re not.  The colors around the outside are similar in shade and tone to the woman’s body, and it’s a temptation woven into the image.… Read the rest

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This Week’s Art: Ivan the Terrible

Ok, so my “little break” was more like a couple of weeks.  Add “extreme coughing from the lungs” to “Post-Las Vegas” and there you go. But I’m back, and this one is an interesting one for me.  It’s one of the first art pieces that I really took something from, especially in the extreme emotion.

This is Il’ya Repin’s Ivan the Terrible and His Son Ivan on November 16, 1581 (1885, oil on canvas, 79″ x 100″). The artist based it on a real event, involving (natch) Ivan the Terrible.  In the heat of an argument, Ivan stuck his son with his staff, mortally wounding him.… Read the rest

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This Week’s Art: The Premature Burial

 

The fans of Edgar Allan Poe out there should like this one (not that they are probably reading my blog, but it’s worth a try). This is Antoine Wiertz’s The Premature Burial (1854, media/size unknown, aka The Hasty Burial), a piece I first saw many years ago accompanying Poe’s work by the same name (which was painted several years after Poe’s death).

Wiertz’s work often treaded on dark, horrific imagery, as a number of artistic and literary works of the time did.  This one actually is fairly light for him, compared to graphic images like Last Thoughts and Visions of a Decapitated Head or The Outrage of a Belgian Woman.… Read the rest

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This Week’s Art: Remington’s Moonlight, Wolf

This is Frederic Remington’s Moonlight, Wolf, (1909; oil on canvas, 20 1/16 x 26 in), a bit of a different image from the typical Remington western art you’d see.

Much of the effect had to do with Remington’s life.  Many of his western works appeared before the Spanish-American War, and after he became an artist on the ground in Cuba his work took on a much darker tone.  In this image, Remington has dropped the pretense of watching the scene from the distance.  The viewer is right in the middle of things now, and in fact is in grave danger from the ominous wolf.… Read the rest

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This week’s art: Death

This is Jacek Malczewski’s Death (1902, Oil on panel), and if you were a visitor to the former Message Boards of the Damned you may recognize this piece.  It’s one of my personal favorites, filled with everything that makes a piece of art great.

Malczewski is an important artist in Europe especially, a Polish artist who was very influential.  Many of his works mix history with legend and mythology, and nearly all of his works were symbolic in some way.

I like the color palette that he chooses to use in Death. … Read the rest

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