In trying to catch up on life, especially while my computer is a bit busy, I’m finding that I can still work on ink art away from the normal spot. Case in point, today’s first catch-up Alphabeast art.
I had a few “P” choices to pick from, but this one stood out quite a bit. The Peg Powler (I know, it sounds like a suburban realtor) is quite a creepy creature. It’s a take on the “old hag” stories that have been around in mythology. This old hag creeps up, from under the water, to the side of the river bank, grabs a victim (usually a child) by the ankles, and pulls them under to their doom.… Read the rest
Sometimes when I’m thinking of doing some art, I get a good idea going. Some concept, or some particular scene grabs me and I want to get art made of it.
Today was no different, as I’d had an idea for another ink work based on some old noir films. I thought that not only would it be fun to try, but there would also be the challenge of texture again like the Lorre/M piece.
So I started in working on it, and, actually, it wasn’t too bad. But, as with all things, the little issues started to bug me, and I started getting dragged into the old “you’re not good enough for this” thought pattern.… Read the rest
This isn't just a wave coming in, or the rising tide. The water is alive, and is fighting everything in its path.
This is Thomas Cole’s Expulsion – Moon and Firelight (1828, Oil on canvas, 35 7/8 in x 47 7/8 in), one of those pieces that I find very inspiring. It’s a bit different than the images by Cole that I normally cite (like his Course of the Empire series, check out http://www.swarthmore.edu/Humanities/kjohnso1/colecourse.html), but it’s an interesting piece.
It reminds me of the modern fantasy works, as if we are peering into Cole’s magical, unique world. Despite there not being a human element, which is most often found in his work, Cole offers up a dynamic, powerful image that grabs you and doesn’t let go. … Read the rest