The last couple of years, with the violent ups and downs as they’ve been, haven’t been the easiest. Long term unemployment, financial issues, near total lack of art sales (and no originals sold at all, let’s not forget that). When a creator goes through times like these, contemplation on the future is sure to happen.
Do I continue trying to get graphic design jobs, when a hundred resumes garnered no interest? Do I keep trying to create and sell original art, when no one even slightly considers buying one? Do I keep trying to get my art published, when I can’t get the time of day from publishers (save for those important, valued few)?… Read the rest
Last year, I created a cover for author Vincenzo Bilof’s Necropolis Now: Zombie Ascension. So, as is sometimes the case and something I look forward to, he asked if I could create the art for the book’s sequel, the now-released Queen of the Dead: Zombie Ascension II (go get it here).
Most of my year has been taken up by my art hiatus, from doing nearly any kind of art at all. I’ve done a handful of art pieces, as you can see on my site. But being away from it has had two interesting effects: my daily art skills have suffered, but my imagination has become sharper and sharper.… Read the rest
I’m back from the brief hiatus known as the Northeastern Writer’s Conference (NeCon), and I’ve chosen a piece that I haven’t come across before. This is Gilbert Rogers’ The Dead Stretcher Bearer (1916, size and media unknown, possibly oil), a fairly disturbing war piece.
Now, before I get too far ahead, the version above is the one I think is color accurate. I also found one here that seems differently colored, but also seems to have the tell-tale signs of being a photo of the piece with heavy flash. If anyone can correct me on it, please do. … Read the rest