It’s been a little while since I’ve posted a new ink, and it’s about time I did. Life gets in the way of art sometimes, but art is still something I need to be building consistently.
In this case, I wanted to try another fossil as the base idea for an ink. I have lots of reference images from visits to various museums, and I decided this would be a good time to put one of those into play.
This ink is of Dinictis squalidens, a type of saber-toothed cat. It’s not a Smilidon, the typical saber-toothed tiger that most are familiar with, but a separate species.… Read the rest
Over the course of the last two years, from January 2010 to present, I’ve been writing monthly articles for the Apex Book Company. I’ve now compiled those two years of articles into an ebook collection, called Life As An Artist In Repose, now available for purchase on Amazon here.
The idea behind my articles for Apex has always been the “life as an artist” style articles. What I see as an artist in the publication industry, how I myself am treated as an artist, and overall what it’s like to live as I do.… Read the rest
I toy with my procedures all of the time, to try to do things better. If not better, than more uniquely, or to a different effect or feel, I’m certainly a tinkerer. Case in point, clouds.
There are roughly 1, 192, 632,325 ways to make clouds digitally (“roughly”, he says), so by all means this is just one way to make them. But it’s worked on a few images of mine fairly well, and it’s a technique that’s easy to use in different ways, so here it is. I use Adobe Photoshop for art, but I’d imagine you could ape this technique in pretty much any art software.… Read the rest
I’m sure most people are aware of this, but here it goes anyway. There are people on the web that, when they find an image on a website, just grab the web URL directly to the image and paste it into their forum/website/blog/whatever. This is called hotlinking, as you are not hosting it on your sites but stealing a bit of the bandwidth I pay for to show everyone my own images.
What that means is that there are an awful lot of people seeing some image on my site, but no one’s really seeing my site at all.… Read the rest
I decided that it might not be a bad idea to take a step back and look at the inks I’ve been working on.
For those that haven’t been following (I know, I know, no one has been), I started doing ink cards and ink works late last year as a way to learn more from photos and film.
I wanted to learn more about lighting, about texture, and about things that I can’t just pull from my head. Most of the work over the years has been right from my head, either as an original piece or based on a story.… Read the rest
I decided that I should take a break from inking monsters, and try something that has less texture to it. Texture is fun with characters, but I want to challenge myself by working with images that don’t necessarily have a lot of texture in the important areas.
Case in point, this new ink that I’ve now completed. It’s based on Peter Lorre’s character from the film M, and, though there is certainly a lot of texture in the piece, it’s his face that doesn’t have a lot of it.
Inking his face, I had to use very light lines, spaced fairly far apart (relatively).… Read the rest
Much of the time, I get an idea for a piece of art and I start in on it. But every so often, I have the start of an idea, and I let it take off from there and it ends up wherever it feels like.
This is one of those paintings.
Now, to be fair, with all of the acrylics, I’ve tried to lay off forcing it to go into a specific direction. It’s an experiment, and the only way I’ll learn is to try. Whether I succeed or not, and have truly created “art”, is up to someone else.… Read the rest
Continuing on my art posts of really happy, joyous images (reference: sarcasm), here is Vasily Perov’s Found Drowned (1867, Oil on canvas, 27″ x 42″). I’ve had a bookmark for it for awhile, and I think it’s an interesting piece.
I think it’s one of those pieces that has a story behind it, but still lets the viewer decide on their own what they think. It’s obviously not a happy piece, but it also comes across as taking place after the real event in a way that we are now starting the next journey.… Read the rest
Though J.M.W. Turner's technique is certainly evident here, the tone of the piece isn't one I expected.
I don’t always get to just experiment and have fun with Photoshop, and tonight I had a chance to so I ran with it. This takes the place for tonight’s sketching, something I’ve been trying to do every day.
The images below are for possible use with the great site The Big Adios (or at least their MySpace). Visit there if you haven’t been yet.
… Read the rest