Earlier this week, author Ray Garton (who’s awesome, and you should read all his stories) asked on one of the social networks (the blue one) about sleep paralysis.
For those who aren’t familiar with the phenomenon, sleep paralysis, also known as night terrors, is perhaps the scariest thing you could ever imagine. You wake up in the middle of the night, completely locked into place. You can’t move anything, you can’t be heard by anyone else if you decide to scream, and all you can move is your eyes.
Also, as a bonus feature, you have an overriding fear of someone or something just barely outside of your sight.… Read the rest
Digital; cover of the book Dereliction by Ray Garton, Cemetery Dance (2012)… Read the rest
One of the great things that I like about digital art is the ability for programs (I use Photoshop) to let different layers of art interact. For example, I can have a painting of a character on one layer, with all the shadowing, anatomy, and so on, and on a different layer I can have a texture. By using different abilities in Photoshop (namely Layer Blending Modes), I can use the texture layer to give the character a different sense.
Now, that can mean a lot of things. The character might be dirty, or bloody, or dripping with water.… Read the rest
Digital; cover of the book of the same name by author Ray Garton (Cemetery Dance Publications, 2011)… Read the rest
Despite the bad way that my year is going, I still manage to get some great projects by some wonderful authors. Case in point, I was given the chance to work on author Ray Garton‘s new book, Vortex, out soon from Cemetery Dance. It’s a great honor not only to work with one of Ray’s stories, but to work with an always helpful and constructive publisher like Cemetery Dance as well.
For the cover, I wanted something that showed the main characters. The trick of it was, the creature of the book was both a character the reader has sympathy for, yet still very violent.… Read the rest