Last year, I created a cover for author Vincenzo Bilof’s Necropolis Now: Zombie Ascension. So, as is sometimes the case and something I look forward to, he asked if I could create the art for the book’s sequel, the now-released Queen of the Dead: Zombie Ascension II (go get it here).
Most of my year has been taken up by my art hiatus, from doing nearly any kind of art at all. I’ve done a handful of art pieces, as you can see on my site. But being away from it has had two interesting effects: my daily art skills have suffered, but my imagination has become sharper and sharper.… Read the rest
That quote, for those of you who don’t watch movies, is from the film The Dark Knight. Until now, I just thought it was an interesting statement, but the fact is that I’ve lived like that. Also, until now, there was really no dawn to speak of.
But, as these usually do go, a subtle light has entered my world again. It’s just a small ray of light, actually, but in the severe darkness I’ve been through it becomes a shining beacon. A ray of hope, if you will.
This week, for the first time in sixteen months, I’ll be heading off to a day job.… Read the rest
Something that comes up from time to time is the need, as an artist and a designer, to have a portfolio to show someone in person. That could be at a convention, or a job interview, various places where having a portable way to show your work would come in handy.
For many years, I’ve used a simple, letter-sized portfolio, which has worked well. I can have a design on every page, or a group of art pieces, or even change them out as needed. But, for that to really be effective, you need to print new things all the time, and in general over time they tend to get a bit beaten up.… Read the rest
At the end of this week, I’ll be a guest at VisionCon in Springfield, Missouri. This is only the second time I’ve been a guest at a convention (though I’d love to be in more of them), but after the first time I realized how great it can be.
We’ll set aside the part for now that they help pay for things, though as an “about to be unemployed” designer/artist that’s really helpful.
Being a guest is great for many reasons. Obviously, as an artist, I need to sell both myself and my work.… Read the rest
As a designer (not just an artist!), I run into all sorts of different projects. Everything from very simple designs up to extremely complex ones. Sometimes it’s web design, and other times it’s graphic design.
Sometimes, when I’m lucky, it’s graphic art and illustration.
A few years ago, my freelance client asked me to design a t-shirt for the construction company she was working with. I’ve done plenty of t-shirts for her, and plenty of other designs for apparel and other items. But this one was a little more of a challenge.… Read the rest
Most years, when I can spare a little extra money, I try to enter a couple of competitions. First on the list is always the annual Spectrum competition, for the best of the current year’s fantasy/genre art.
I was lucky enough to have been chosen for Spectrum 9 many years ago, and I’ve always wanted to get back into the published book. To that end, each year I look back through my work and try to decide which one or two pieces I might send off in the hopes of being chosen.… Read the rest
Imagine then how absolutely amazing it was for me to walk into the Thomas Cole Room at the Wadsworth Atheneum
I've seen many Bierstadt works in art books (and a handful in person), and I think he had a real knack for capturing the feel of the wild.
This is Frantisek Kupka's Resistance, or The Black Idol, which despite it's fairly simplistic idea is still a striking piece.