New experimental artwork: Selene, Mediterranean

Being an artist, to me anyway, involves taking chances. Though I value consistency, there’s something to be said for experimentation. 

Experimenting with techniques and styles gives me a chance to explore areas I haven’t tried before, and really challenge the concepts of art. Not just in how I make things look, but the difference in procedures as well. To tread on unfamiliar ground, and attempt to survive it, is how I grow as an artist (and a person).

Case in point, my new piece below. I wanted to give a gift to the clients that commissioned me for my large acrylic painting, Selene at Bonifacio (see it here), and I thought a small painting of a similar idea would be a good.… Read the rest

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Seeing it in a museum

I think it’s important as an artist to look at a lot of art, and in fact I love nothing more than to flip through the many art books I have on the shelf. Seeing different styles, different techniques, and just appreciating what others have done is a great way to learn more about art, and to think about doing it better.

Books are great, but to really see a painting I also think it’s important to get to museums. Seeing the real art in person gives you a different look, something that books just can’t do.… Read the rest

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Seeing it in real life: Church’s The Icebergs

Awhile back (and by “awhile back” I mean “over a year ago”) I wrote an art blog of Frederic Edwin Church’s beautiful painting called The Icebergs (check out the blog here… I”ll wait.)

I won’t bore you with the specs again (I’ll be boring you with other ways now), but seeing it in person I realized what the specs actually mean.

 

The Icebergs, it turns out, is a really, really big painting.

Not the largest I’ve seen for sure (a Rembrandt holds that record), but nevertheless this is a very large painting. … Read the rest

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