Most of time, life is pretty boring. We go through our lives, through our day to day procedures, and very little changes. Sure, each day and each week have their little ups and downs. After all, I did just eat a Snickers bar and stub my toe, at nearly the same time. But for the […]
I’ve been a big fan of the film Dark City since I saw in the theater back in the 90’s. For awhile now, I’ve been considering doing some ink art of one of the creatures from the film. They are known as “the strangers’, and our hero (played by Rufus Sewell) has to go up […]
The Tools and Materials I Use, Part 1: Stock, ink, pencils
Whenever I’m on Twitter (and, to a lesser extent, Facebook and Google +), there always seems to be these great discussions about the type of materials and tools that artists use in their art. Often there are similarities, and quite often too there are new and cool things that I hadn’t heard of before. I […]
One of the great things that I like about digital art is the ability for programs (I use Photoshop) to let different layers of art interact. For example, I can have a painting of a character on one layer, with all the shadowing, anatomy, and so on, and on a different layer I can have […]
I originally wrote this article for my Apex Magazine slot this month, but in the long run I decided to go a different way with it. I thought this one ended up a little more about creators than about the things the Apex might need, so I wrote a different one. That said, I think […]
In The Wrong World; Digital, story illustration for Peter Straub’s story Variations on a theme from Seinfeld Published in Cemetery Dance Magazine, 2009
This is the character Tomas from the film El Orfanato (The Orphanage). It is a digital color version of my original ink, 5″ x 7″ on 140 lb. Cold Press.
This is a digital color version of my ink work of the Pale Man creature in the film El Laberinto del Fauno (Pan’s Labyrinth). The ink is 8 1/2″ x 12″, 140 lb. Cold Press, scanned in and colored in Photoshop.
Death From Below; Digital; published as the second endpaper for the novella Scratch by Brian Keene (Cemetery Dance, 2009); Companion piece to “Death From on High”, also on this site.
Death From On High; Digital; published as the first endpaper for the novella Scratch by Brian Keene (Cemetery Dance, 2009); Companion piece to “Death From Below”, also on this site.
I had fun digitally coloring The Pale Man ink that I did (see it here!), and I thought I’d try it again. I’ve been away from inking for a couple of weeks, due both to the job search and some paying gigs, but I created a new one today for sale. I have numerous ink […]
