Sir Hubert von Herkomer's The Last Muster, a great example of realism and an almost illustrative idea

    This is Franz Von Stuck’s Sin (1893, Oil on canvas, 35″ x 21″), which may get my vote for having perhaps the most accurate title of an art piece I’ve seen. I like the color choices and palette here that Von Stuck used, or rather a lack thereof.  He keeps the colors simple, […]