The many words of Russell Dickerson

Teller of stories
Nautilus pilot
Artist of fine works & illustrations
Trapper of Manticores
Designer of print and media
Liopleurodon skull grinder
63rd man on the moon (estimated)
Secret Lair: Shell Beach

My monthly interviews

Every month, I interview the cover artists for the award-winning Apex Magazine. See those interviews here on the Apex site.

Ready for Commissions!

Need some art, design, or writing? I am open to commissions of all kinds, please don't hesitate to contact me on one of my social networks below.

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Education

Bachelor of Science in Communication
Colorado State University

Awards of Completion:

  • Applying Leadership & Communication Strategies For The Global Marketplace
  • Effective Communication In The 21st Century

Knowledge and Experience:

  • Proposal, article, technical, and academic writing
  • Social media and community involvement
  • Intercultural and diversity communications
  • Strategic communication and ethics
  • Leadership and team dynamics
  • Writing and revise support documents
  • Create across multiple media platforms
  • Research and verify facts

Find Me All Over The Internet

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Rabbitfield

Life influencing art, scaring the bejesus out of me

Earlier this week, author Ray Garton (who’s awesome, and you should read all his stories) asked on one of the social networks (the blue one) about sleep paralysis.

For those who aren’t familiar with the phenomenon, sleep paralysis, also known as night terrors, is perhaps the scariest thing you could ever imagine. You wake up in the middle of the night, completely locked into place. You can’t move anything, you can’t be heard by anyone else if you decide to scream, and all you can move is your eyes.

Also, as a bonus feature, you have an overriding fear of someone or something just barely outside of your sight.… Read the rest

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Looking back to look forward

I’ve heard the phrase plenty of times that you should always look forward, never back. Which, like any other totalitarian idea, is more of a sledgehammer than a finessed thought.

I mean, I understand where they are coming from. You don’t want to be so beholden to the past that you can’t move forward. That there are new ideas and new experiences to explore, and the past can hold you back.

But the problem with that is that if you never look back, you never remember those lessons you’ve already learned.… Read the rest

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Sometimes I think they WANT a stupid character

The other night, I was watching the new television series Alcatraz, and something started to bother me about it. Now, it’s not a bad show, “decent but flawed” might be a good way to put it. But it suffers from lazy writing sometimes, and the episode the other night made that quite clear.

Twice in the same episode, the main character, a police officer, had a clear chance to shoot the violent assailant and end a string of bombings. Both times, it was clear that the bomber was happy to kill anyone in his path, in fact the first time it came up he threw a mine at the cop.… Read the rest

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Creature From The Black Lagoon

Misogyny and schadenfreude: 500 years of treating female artists badly

I plan on using two big words today, and that’s two more than I’d use on a normal day. Of course, on a normal day most of my words just have the four letters in them, so it may not be that big of a stretch.

Here it goes anyway. The two words we’ll be talking about today are “Misogyny” and “schadenfreude”. See, I told you they were big words. They are also indicative of some serious issues in the world, some that have been around for centuries.

Now, just so that this old article of mine doesn’t go on forever (even though it will seem like it does), we’re going to really be talking about those two words as if they are combined.… Read the rest

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This Week’s Art: Beksiński

I’ve been a big fan of the works of Zdzisław Beksiński for a long time. They are like dreams and, often, nightmares, come to life. Beksiński himself even said as much about his own work, and from what I’ve read about him he was a fascinating person. Especially in the many ways that I feel the same way about art as he did.

One of his great quotes about his own work fits perfectly with how I think of mine: “I cannot conceive of a sensible statement on painting.” I’ve never been able to come up with an, “artist’s statement”, because I don’t think mine would make any sense.… Read the rest

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Giovanni Boldini, Newspaperman in Paris

This Week’s Art: Boldini’s Newspaperman in Paris

Some of my favorite art pieces are those that show emotion, that have an energy to them. True, most beloved pieces have an energy all their own, even if it’s subtle. But there are some pieces where that energy is something more evocative.

I’ve seen many of Giovanni Boldini’s paintings over the years, often of the women that he painted. He seemed to work in portraiture quite often, and I came across a painting of his that seemed different than his others.

Here’s Boldini’s Newspaperman in Paris (a.k.a., The Newspaper; 1878, oil on panel, 18.5 in.… Read the rest

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Rime of the Ancient Mariner

This Week’s Art: Dore’s Death, Life-In-Death, and the Ancient Mariner

I read a lot of poems, and one of my very favorite poems is The Rime of the Ancient Mariner by Samuel Taylor Coleridge. It’s a dream made for an illustrator, filled with such great visions, and it’s probably one of the reasons that it’s been a popular poem for so long. I have a Dover edition of the poem featuring Gustave Dore’s engravings, 42 of them, which I love to look at.

Of all of the great images in the book, my favorite is the scene where Death and Life-In-Death are playing a game of dice for the souls of those on board.… Read the rest

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This Week’s Art: Matania’s Paulina in the Temple of Isis

When I post my “This week’s art” articles, I like to have as much information about a piece as I can get. Sometimes, like yesterday’s article, the piece is quite popular, and there’s lots of information about it. Other times, it seems like only one site has the beautiful art, but won’t put any information with it.

Today’s piece was like that, hardly any information. But it’s a gorgeous piece that I first saw on James Gurney’s blog (which you REALLY should be following), and I wanted to feature it here.… Read the rest

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This Week’s Art: Cornwell’s $2,000 Reward

I love the illustrators of the early-mid 20th century. Rockwell, Wyeth, Pyle, and many more, they just have this great sense of drama and storytelling in their work. Even without knowing the stories that they went with, as is sometimes the case, the images still cause a reaction.

Case in point, this image by one of my favorite illustrators, Dean Cornwell. Cornwell had a great way of fitting in to nearly any subject, and still bringing beautiful, emotional work to the table. Here’s his painting $2,000 Reward (Oil on canvas, 1921), featured in Cosmopolitan in 1924 with a story by Alma and Paul Ellerbe.… Read the rest

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Apex Magazine

 

I currently interview the cover artists for Apex Magazine each month.

Visit my latest interviews on the Apex Website.

My nonfiction ebook collection of the first two years of my Apex Book Company blogs, Life As An Artist In Repose, is available for purchase on Amazon, Barnes and Noble, or Drive Thru Comics.

The ebook is filled with “life as an artist” style articles, click here to pick it up today!